Abin Design Studio has shared photos of an interior they designed for a gallery and store that displays Italian furniture in Kolkata, India. The striking interior seamlessly blends the finesse and elegance of Italian craftsmanship with the vibrancy of Indian design traditions. The designers took these traditions and included sculptural walls inspired by the intricate […]
In Beirut, a city marked by transformation, the Interdesign Building echoes the vision of an architect steadfast in his conviction. Designed by Lebanese architect Khalil Khouri in 1973 during a period of economic growth, the building took 23 years to build, a process halted by the onset of the Lebanese Civil War. By the time it was completed in 1996, the urban landscape that surrounded it had changed. The structure has stood largely unused since, as a relic of hopeful modernity. While its design is singular in its narrative and expression, this structure illustrates the tension between aspiration and struggle throughout its complex history.
Milbon is a Japanese hair cosmetic brand with a history spanning over 60 years, maintaining its reputation throughout this period. The brand places value on enabling people to live beautifully, emphasizing <authenticity, mental enrichment, and the diversity of life. Beyond providing high-quality products, Milbon also hosts hair-related lectures and contributes to the training of hair designers.
Since establishing a partnership with China’s leading premium EV automaker NIO by the scenic West Lake, a UNESCO World Heritage site, in 2017, SHL has successfully shaped several NIO Houses (NIO’s flagship store), including NIO’s international expansion in Oslo, followed by Shanghai HKRI Taikoo Hui, Berlin, Düsseldorf and Munich. SHL has yet again partnered with NIO to create a new milestone flagship, the NIO House | Hefei Xinqiao Industrial Park. A new circular pavilion merges the ‘front stage’ customer experience with the ‘backstage’ manufacturing process, providing NIO users and business partners with an immersive insight into the NIO way of life and its advanced manufacturing prowess.
Born as a contrast amidst the urban hustle and bustle, the project is located on one of the busiest avenues in the city of Fortaleza, Ceará. During our first visit to the land, we came across a Brazilwood tree, a witness of time, which we took as an initial premise, further valuing and enhancing its position.
The workshop of “Proyecto Mutan” is located in the province of Buenos Aires, in the neighborhood of Villa Martelli, a suburban low-scale tissue that presents a mixture of houses and industrial constructions. They are a group of designers who work with post-consumer recycled plastic which they transform into design objects. The initial program requirements included the incorporation of an exhibition area, a meeting room, and an office space. This was the starting point to rethink the working spaces, always searching for a direct relation with the exterior, and proposing an open system of connections that vary their functions according to the moment and specific needs of the users.
Within an existing warehouse, an exhibition, work, and storage space was created for the fabric brand.
Project Overview: Mohammad, the proprietor of an esteemed export-centric carpet brand, has procured an antiquated domicile situated in the historic, renowned Bagh-e-Goushkhan district of Isfahan, which accommodates numerous carpet weavers. His intention was to bulldoze the whole existing structure and erect a contemporary building dedicated to floating activities: carpet weaving, exhibition, design atelier, and temporary lodgings for distinguished guests. Contemplating the project’s parameters, a critical query arose: due to the existence of treasured but dilapidated structures -either abandoned or completely demolished, replaced by multi-stories- can we acquire an adjustment to complete the puzzle by only adding a single novel structure? Could a solution be capable of meeting the client’s requisites along with minimizing structural disruption, waste production, and preventing reutilization of new materials?
The Castelatto Pavilion was implemented in the company’s industrial complex, located outside the urban area of Atibaia, surrounded by low hills and green areas. The production warehouses occupy a significant part of the land, but there are also preserved green areas and a riparian forest along the stream that surrounds the property. Between the riparian forest and the warehouses, a proportionate area was designated for the construction of the Pavilion, due to its representative and institutional character.
With a legacy of craft, technology, and singular ideas since 1962, FLOS is in the business of light. FLOS commissioned Arquitectura G and Sam Chermayeff Office to collaborate on a showroom for their products, spotlighting their fundamental presence, light itself. The new FLOS Amsterdam showroom is literally an arrangement of surfaces that receive, highlight, and begin a dialogue with light.
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