Sò Studio creates the space in the hope of conveying a sense of tranquility and comfort, drastically different from the bustling and dazzling city chores. The interior design is not only focused on the Chinese traditional structure details but also pays attention to the big picture of the beauty aesthetic. Coheres the ambiance with oriental design basics to an appropriate scale, integrating geometry ratio.
This house represents a microcosm of contemporary Taiwan. Our client envisions a home for his male friends, female co-workers, and parents. He has requested a design that acknowledges his lifestyle while accommodating his work relationships and honoring traditional familial obligations.
The renovation of Liangshu Art Museum locates in a historical landscape zone of Nanchang, cohering the Chinese garden and the city. Upon completion, Liangshu Art Museum becomes a public facade of the city, as well as an important context of citizens’ leisure activities. The original building was a tea house of the Bayi Park for years. Although its exterior component suffered different degrees of damages after years of usage and vacancy, you could still easily find its elegant physical temperament from the past.
The Nanwanggang village, under the governance of Xinyang city, has abolished its administrative establishment since the township merging and adjustment many years ago. The entire base consists of two parts – the former courtyard of the township government has fallen into disuse while its adjacent grain reserve depot has been out of service for years. How to re-energize these two neighboring and unoccupied collective assets have thus become the biggest challenge in our design.
The site of Lushan Times was launched in 2012 and was decided to be a complex with city-level capacity. It is the climax of GOA’s practices in this district, and also an important link in the construction of the new city. The site has a superior location, with Lushan Mountain at the back and a commanding view of the Fuchun River. On one side of the site is Changqiao Bridge, and on the other side is the cultural highland of the new city represented by the “Three Museums in One” of Fuyang (Wang Shu’s work). From a certain point of view, the building will be the only visible artifact in this landscape. It will represent the urban civilization in a certain attitude, and be integrated into this landscape scroll.
The project is located at the crossing of the river, bridge, and road, with the Chen Yuan (College of Arts and Media) and the library to the northwest. The original building is a two-stories, four-pitched roof old building. As an important node in the historical environment of the campus, the university expects it to be an important public space of the campus with the functions of “bookstore, coffee, creative arts and salon” after its renewal.
The past and present of Soils A. On the Tang Mountain located in the suburb of Nanjing, with the verdant and foggy surroundings. Ten towering cylindrical grey cement silos are set upright here alone. The absolutely geometrical shapes stand out, which look like a series of big exclamation points, telling the world the past story that the mountain was dissected, the ores were continuously mined, the massif was exposed nakedly and the pit was dug deep, the machines roared in the cement processing plant, powder and smoke rose from all around, and sewage flew everywhere. Later, This place gained its peace again. Ten silos stared at the sky straightly, as if they had been ten-round eyes, waiting for some moment in space-time when fresh new soul was to be injected again.
Normal Village of China. Qili village is one of the most common villages in Zhejiang and Jiangsu, but it represents the most typical batch. The epitome of most rural areas in Zhejiang and Jiangsu can be seen here, such as flat terrain, vast paddy fields scattered street shops, and new rural settlements. Some old neighborhoods along the river are small in scale. With the construction of new countryside, traces of development and change in the times have been left to some extent.
On the north side of this project is a commercial Hutong– West Sanding Factory Street, while on the south side is residential Luanqing Hutong, which is a typical small courtyard that is very suitable for living at that time.
The life traces in the old city of Beijing, enable the deeply hidden hotel to show the unique spatial quality and continue to attract travelers from afar to stay and experience. Every time walking through the alleys, people could be attracted by different forms of old houses in courtyards of different sizes.
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