Articles by Diego Vivas

In the highlands of the Central Andes, one finds the “bofedales.” Known by some as ‘high Andean wetlands,’ bofedales are ecosystems and landscapes crucial for water regulation and storage in the Andes. Moreover, they are natural infrastructures that constitute a material and immaterial heritage to address contemporary climate crises and to sustain local Andean communities, which have nurtured them for generations.

With an air of simplicity and wisdom, engineer Julio Vargas Neumann welcomes us. His two dogs accompany us as we descend after the necessary ascent to enter, and we are also accompanied by the stone walls defining the lot. We sit down and begin – or continue – the interview and conversation regarding the value of ‘shicras‘, local materials, and earth construction. We also discuss criticisms of cement, aluminum, and steel, as well as perspectives on the future of materials in Peru and the world. Likewise, we delve into the long-neglected and recurrent rural problem in South America, discussing the inexorable need to change paradigms and priorities.

The origins of brutalism can be traced to the UK in the 1950s during the post-war period. However, there is no clear record of its initial boundaries or theoretical frameworks. Despite this, it is widely agreed that it sought to uphold constructive sincerity as its main value and that it had, in the execution of Le Corbusier’s Marseille Housing Unit (1952), a turning point for its global diffusion (Casado, 2019). For authors such as Banham (1966) or Collins (1977), constructive sincerity in Brutalist buildings does not only refer to material or technical criteria, but also to moral, political or ethical ones. These variables, in nations such as Peru, were fundamental and built an aesthetic while trying, through and from architecture, to construct an idea of a country. This essay seeks to be an approximation to these ideas and experiences.