interior design organizes therapy, ritual, and movement into a continuous flow.
The post alchemy 38 layers wood, stone, and light into a ritual-driven wellness retreat in new york appeared first on designboom | architecture & design magazine.
vietnam’s lotus clubhouse by MIA design studio merges circular green roofs, water and landscape into a low, dispersed lakeside retreat.
The post a cluster of circular green roofs top this lotus clubhouse over a vietnam lake appeared first on designboom | architecture & design magazine.
The project is a single-family home that presents itself to the street as a pure, compact volume, appearing from the front as a sealed cube that reinforces the privacy and monolithic character of the structure. Part of this volume extends outward to highlight the main entrance, creating a clear, controlled gesture that signals the way in. This extrusion is distinguished materially by white walls, in contrast to the rest of the house, which is constructed entirely of exposed concrete, reinforcing the interplay of solids and voids and the volumetric hierarchy.
reflections shift with movement and changing light conditions.
The post hundreds of suspended mirrors turn iranian pavilion into a shifting light machine appeared first on designboom | architecture & design magazine.
reflections shift with movement and changing light conditions.
The post hundreds of suspended mirrors turn iranian pavilion into a shifting light machine appeared first on designboom | architecture & design magazine.
reflections shift with movement and changing light conditions.
The post hundreds of suspended mirrors turn iranian pavilion into a shifting light machine appeared first on designboom | architecture & design magazine.
The renovation of the Gardiner Museum’s ground floor was guided by three core principles: Accessibility, Connectivity, and Indigeneity. The project aimed to create a welcoming, flexible, and culturally resonant environment while highlighting the museum’s world-class ceramics collection. A key inspiration was the desire to strengthen visual and physical connections across the ground floor, provide improved circulation, and recognize Indigenous ceramic traditions through the museum’s first permanent gallery dedicated to Indigenous works, designed by Chris Cornelius of studio:indigenous and curated by Franchesca Hebert‑Spence, the museum’s inaugural Curator of Indigenous Ceramics.
Passive House Forest Retreat proves that environmental performance and refined design ambition are not only compatible, they are mutually elevating.
World-class commercial architecture is defined not just by iconic form but by the rigorous CAD documentation standards that make these complex buildings constructible. Commercial Architecture: […]
Sustainable architecture integrates passive design strategies, renewable energy systems, and biophilic elements into every stage of the building process. The Rise of Sustainable Architecture in […]
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