Articles by Lilly Cao

In a 2016 survey of 400 employees in the U.S., Saint-Gobain found that office building occupants commonly complained about poor lighting, temperature, noise, and air quality, leading the company to deduce a need for improved lighting and thermal comfort in buildings while also maintaining low energy consumption and freedom of design for architects and clients. Their solution was SageGlass, an innovative glass created first in 1989 and developed over the course of the past three decades. The glass, which features dynamic glazing protecting from solar heat and glare, simultaneously optimizes natural light intake. A sustainable and aesthetic solution, SageGlass’ adaptability to external conditions dispels the need for shutters or blinds.

Last November, UNESCO, the Iraqi Ministry of Culture, and the Iraqi Sunni Endowment jointly announced an international design competition for the reconstruction and rehabilitation of the historical Al Nouri Complex in Mosul. One of the oldest cities in the world, Mosul (“the linking point” in Arabic) is beginning a recovery process following years of conflict, guided by an initiative aptly titled “Revive the Spirit of Mosul.” The rehabilitation of the Al Nouri Complex, which dates originally to the twelfth century and has constituted a core facet of city life since, is a central part of this initiative, and is intended to signal the city’s resilience, hope, social cohesion, and reconciliation in the aftermath of the conflicts. Six months after the competition was originally announced, winners have finally been chosen.

Frank Lloyd Wright’s Price Tower is the famous American architect’s only realized high-rise building and one of his only extant vertically-oriented designs. Located in the plains of Bartlesville, Oklahoma and commissioned by the local oil and chemical firm H. C. Price Company, the mixed-use tower is significant not only for its singularity within Wright’s oeuvre, but because of its unique materials and structural design. Some of Wright’s innovations, which were novel in the mid-twentieth century, remain useful even today.

In 1968, the small town of Gibellina in Sicily was flattened by the colossal Belice earthquake, a magnitude 5.5 quake that killed hundreds and left 100,000 homeless. Planners were unable to rebuild Gibellina at its original site, so the new city—Gibellina Nuova—was constructed 11 kilometers (7 miles) away instead. In anticipation of the design and construction of Gibellina Nuova, and in the wake of the Belice earthquake tragedy, the mayor of Gibellina called on several artists to submit proposals for projects to decorate the new city. One of the artists was the prolific “polymaterialist” Italian painter and sculptor Alberto Burri (1915-1995).

In the heyday of high modernism, architects such as Le Corbusier and Mies van der Rohe extolled the aesthetic value of whiteness, which they viewed as connoting purity and simplicity. Mies van der Rohe’s Farnsworth House, for example, paired the stripped-down whiteness of its structural skeleton with expansive floor-to-ceiling windows, using the enveloping natural light to further elevate the already heavenly aspirations of the space. Today, some contemporary architects and designers have evolved the sublime aesthetics of white high modern architecture by using translucent fabric partitions, complementing the purity of the white walls with the fabrics’ ethereal play of light and shadow. Below, we discuss different design strategies for working with white fabrics in this way, and include two examples of projects that have used translucent fabrics in soothing but innovative ways.

While the traditional image of the cabin is one of a rustic wooden home located far away from any trace of society, architects have been experimenting with these conventions alongside newer material and technological considerations to push the boundaries of the ‘cabin’ today. Whether it is by reimagining the aesthetics of the cabin, or by utilizing advanced fabrication techniques to modernize the rustic, or even by reconfiguring the log cabin for the city setting, architects and designers have utterly transformed traditional cabin architecture for a more contemporary existence. Below, we consider 10 innovative cabins that achieve this transformation through experiments with different materials and construction technologies. While each explore different strategies and functions, many share similarities in their use of prefabrication systems, in their dedication to sustainability, and in their close attention to and optimization of specific material properties.

In November of 2020, Foster + Partners announced a collaboration with the robotics design company Boston Dynamics. Together, the two have been developing a robot called Spot, which is intended to capture and monitor progress in construction sites. The robot boasts the dexterity to climb stairs, avoid obstacles, and traverse rough terrain, allowing it to monitor building sites and collect data quickly and easily. In this way, designers and contractors can remedy errors rapidly and at minimal cost, ensuring that projects progress according to their set timeframes and budgets. With manual data collection, errors might be noticed at a much slower rate and communication between contractors may suffer as well. Thus, Spot optimizes construction monitoring and on-site collaboration.

Last month, we looked at the 20 most-visited residential projects featured on ArchDaily during 2020. Spanning four continents and 15 countries, the styles and designs of these projects varied widely, and covered a wide range of different climates, visual contexts, and client needs. However, we noticed a commonality among a select few projects located primarily in Vietnam and Indonesia: the prevalence of hanging gardens and vines. Below, we look into this trend in more detail, discussing how it is used within these specific projects and more generally.