Built in the late eighteenth century, at first sight the house gave the impression of not being useful at all. It had only one-floor plan, the brick floor was broken, the eighty square meters were dark and cold, and the wood roof structure was rotten. Only the earth walls seemed able to be refurbish, which at first glance they did not look so bad at all.
At IE School of Architecture and Design, we know that the world of work is changing so fast that we cannot always keep up. Industry disruptors, such as emerging technologies, are unsettling the setup of the traditional office. Workforce demands, the ongoing talent war, and the threat of job replacement by AI all contribute to a workforce under tremendous pressure, creating new dynamics at work.
Alain de Botton’s Living Architecture project – a joyful, democratically-minded concept to share quality architecture in the UK – was borne out of personal crisis. The Swiss-born philosopher and author gained fame in both popular and architectural circles following the release of his book, “The Architecture of Happiness.”
Erieta Attali has devoted two decades to exploring the relationship between architecture and the landscape at the edges of the world. Attali’s photography interrogates how extreme conditions and demanding terrains provoke humankind to re-orient and center itself through architectural responses. Her unrelenting and highly physical expedition has seen her traverse four continents, working in isolated and remote terrains from Iceland to the Indian Ocean.
White architecture. A play of faceted volumes share prominence with a pure solid to define spaces of light and texture.
To rank architects, or to even pretend that any list or selection would be exhaustive and/or apply to the individual tastes of every architecture lover, seems, on the surface, a pointless task. However, as we move away from looking for inspiration from merely the great masters or the handful of contemporary firms studied in academic programs, it is important to shine a light on the works that we, as ArchDaily editors, have found particularly valuable. Of the thousands of architects whose projects have been selected to be published on our site, we occasionally notice firms whose work stands out. Whether we’re drawn to their innovative approach to practice, the role they play in contributing to their local communities, or their generosity, we are eager to display their work as an example, so that others may be inspired to challenge the status quo.
Manhattan is known for its iconic skyline, brimming with skyscrapers, high rises, and some of the most impressive architecture in the world. But it wasn’t always that way; it took hundreds of years for New York City to become the structurally diverse, world-famous city that it is today.
When it’s time to dress up for Halloween, Carnival or theme parties, people often choose costumes that resonate with their interests. This is especially true for architects, who are particularly well-suited to designing and building head-turning outfits. For students and young architects, the yearning to construct (and destruct) stems from the will to create elaborate headpieces and ingenious appendages.
The Royal Institute of British Architects (RIBA) have announced Foster + Partner’s Bloomberg HQ as the winner of the 2018 Stirling Prize. Seen as the UK‘s most prestigious architecture award, this award is given to the building ” that has made the biggest contribution to the evolution of architecture in a given year.” Selected from a list of six projects, the design highlights the collaboration between a civic-minded client and architect, as well as addressing the public realm.
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